Zander Blom
"I initially used the medium of photography to record subjects for drawings, prints and paintings. Later, I photographed the drawings and paintings to keep track of what I was making," Zander Blom writes in the introduction to his first catalogue raisonné, The Drain of Progress (2007), included in the exhibition Photo book! Photo-book! Photobook! at A4. The catalogue offers an overview of the artist's propositional practice of the time, which explored the after-image of European Modernism in installations composed of paper, tape and household objects. Les Demoiselles d'Avignon extends a punk, DIY imagining of Picasso's masterpiece, the precarious composition photographed against a domestic (and somewhat derelict) setting.
b.1982, Pretoria